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Choosing a painting for the house - part b

lighting. If it exists, its location must be taken into account when determining the dimensions of the painting. If there is no lighting, think of a suitable lighting solution. Illuminated painting, natural or artificial, will always shine

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Choosing a painting for the house - part c

What's wrong with accessories? Nothing. There is nothing wrong with accessories. It's even pretty nice to have some of them at home. What's less nice is that every house you enter has or

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Choosing a painting for the house - part a

The buyers of the paintings can be divided into several categories. In fact, it is more accurate to say that there are several points of view through each of which buyers can be divided into several categories. There is a clean number

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Credibility with the customer

I quickly realized that something was wrong with my conduct. I had no criterion for determining a price other than the fact that if it was a painting I liked then its price was higher than its counterpart in dimensions, technique and year and worse, the price was right

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Why it was a special exhibition

Among all the comments there was one I knew I wanted to get to. She lives in a northern settlement whose name was not known to me until her response. I became acquainted with her works through the computer monitor and I often heard her sharp tongue through the keyboard that recorded her direct words, sometimes to the point of blatant. When I got to me

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What do you pay for the gallery

I love it. Loves all the excitement that begins with designing the invitation and sending it to invitees and distributing on networks and media. Loves to see, sometimes for the first time, the works on display and get excited. I am always excited, because the artists who are chosen to exhibit at our gallery are artists with whom a warm connection has been established

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To pay or not to pay for an exhibition?

If you are an active artist and want to exhibit at an exhibition, you must have often had to pay money, sometimes to the gallery owner and sometimes to the curator or producer of the exhibition and sometimes both. In most cases, you also sign an agreement in case a work of

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What must be done in the exhibition - part b

It does not matter at all from which direction you look at it. One only has to understand that there is a triangle here with three vertices: spectator, artist, creation. There may well be an interaction between two of the three components and sometimes this will suffice. When there is an interaction between all three components, then there is

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What must be done while the exhibition is on - part c

What happens after the show? What is important to be careful about? The exhibition is a record, or perhaps another record, along the way. An intense period in many respects, but what to do, comes the moment when the works need to be brought home. What now? Dead

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What must be done in the exhibition - part a

Is a solo exhibition of your works at the door, and no matter what space you choose at the moment, your attendance at the opening event is almost certain, at least so I hope (-: what happens at the opening event of a group exhibition?

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Solo exhibition or group exhibition

Why do I not put my father's paintings in group exhibitions? Why do I not respond to requests from curators or exhibition producers to hold a group exhibition with us? Of course whoever asks also tries to gently hint to me that I am making a mistake, that it is

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Artist's children

We, the children of the artists, who look at them are so preoccupied with themselves, with their work as if nothing exists but them, if only we knew how much they needed us there.

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